Horror anthology from multiple directors.

In the Nazi-occupied Netherlands during World War II, a Jewish singer infiltrates the regional Gestapo headquarters for the Dutch resistance.

Determined to learn about her boyfriend's past relationships, Stacy -- who works for a talk show -- becomes a bona fide snoop. With her colleague, Barb, Stacy gets the names of Derek's ex-lovers and interviews them, supposedly for an upcoming show. But what she learns only adds to her confusion, and her plans begin to unravel when she befriends one of the women.

Ciel learns of a "Aurora Society", that is rumored to be researching how to bring the dead back to life. Their next meeting is scheduled to be conducted on the ship Campania, voyaging across the Atlantic Ocean. Much to Ciel's dismay, Elizabeth "Lizzy" Midford, is taking the same ship, thus leaving him with no choice but to get aboard as well.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.